Mistletone

Mistletone is proud to present the debut Melbourne appearance of Oneohtrix Point Never at The Toff on Sunday March 17 with special guests Wooshie, Angel Eyes + DJ Simon Winkler. Tickets on sale now from Moshtix.

Oneohtrix Point Never is Daniel Lopatin, a Brooklyn based lo-fi synth head whose work has brought him to the forefront of the modern electronic composition scene. In recent years, Oneohtrix Point Never has become one of the new synth-music underground’s most reliable purveyors of trippy, arpeggio-heavy psychedelia. His brand new album Replica has been called “a true modern masterpiece in noise music” & “an immaculately paced album, veering from placid ambient interludes to quietly chaotic constellations of found sound”. The unmistakeable black and white skull of the cover art popped up on more end of year best of lists than you can count, furthering Daniel’s life long desire to communicate deeply and efficiently in the realm of electronic music. Since Replica, the Oneohtrix name has reached critical mass, receiving Pitchfork’s Best New Music tag and reaching new heights of creativity with his 2012 collaboration with legendary noise sculptor Tim Hecker. Joining Oneohtrix Point Never at The Toff will be Wooshie, the project of Melbourne based producer Dylan Michel. Part of the formidable This Thing crew, Wooshie produces fuzzy beats that invigorate your limbs before you’ve even stepped onto the dance floor. Angel Eyes, a.k.a Andrew Cowie, delivers both nostalgia and optimism; coldness and isolation are overset by warm whisperings in your ears. Simon Winkler from Triple R will be spinning tunes throughout the night. Tickets on sale now from Moshtix.

• “This is music that digs deeper and burrows beneath the level of shared associations to discover the sparkling emotional potential of carefully arranged vibrations moving through the air” – PITCHFORK Best New Music (rating 8.8)
• “An artful act of audio archaeology: reconfigurations of lost sound” – BBC 
• “Lopatin has accomplished something many musicians making so-called experimental music fail to do: open our ears to new sonic possibilities and, more importantly, force us to reconsider and rewire some of our most basic assumptions” – WIRE