Moses Sumney @ Laneway Festival (FREMANTLE)

February 11, 2018
12:00 pm

Mistletone is bowled over to announce Moses Sumney as part of the Laneway Festival 2018 lineup.

MOSES SUMNEY TOUR DATES:

Auckland: Monday 29 January @ Laneway Festival, Albert Park Precinct
Adelaide: Friday 2 February @ Laneway Festival, Hart’s Mill, Port Adelaide (16+)
Melbourne: Saturday 3 February @ Laneway Festival, Footscray Community Arts Centre and the River’s Edge
Sydney: Sunday 4 February @ Laneway Festival, Sydney College of the Arts and Callan Park, Rozelle
Brisbane: Saturday 10 February @ Laneway Festival, Brisbane Showgrounds, Bowen Hills (16+)
Fremantle: Sunday 11 February @ Laneway Festival, Esplanade Reserve and West End

Since emerging onto the scene in 2014, Moses Sumney has ridden a wave of word-of-mouth praise, hushed recordings, and dynamic live performances. It’s an organic, patient ascent all too rare in today’s musical climate. In a voice both mellifluous and haunting, Sumney makes future music that transmogrifies classic tropes, like moon-colony choir reinterpretations of old jazz gems. His vocals narrate a personal journey through universal loneliness atop otherworldly compositional backdrops.

Following the self-release of his debut cassette EP, Mid-City Island, and 2015’s 7″, Seeds/Pleas, Moses Sumney has performed around the world alongside forebears like David Byrne, Karen O, Sufjan Stevens, Solange, James Blake and more. With his 2016 Lamentations EP, the California and Ghana-raised troubadour widened the spectrum of his heretofore “bedroom” music, incorporating songs that feature more elaborate production and evocative songwriting. Now his inspired ascent continues.

His proper debut album, Aromanticism is a concept album about lovelessness as a sonic dreamscape. It seeks to interrogate the social constructions around romance. The debut will include the devastating, billowing synths of “Doomed,” which in a way serves as the album’s thesis statement, as well as new versions of standouts “Lonely World” and “Plastic.” It’s a deliberate, jaw-dropping statement that can leave you both enlightened and empty.

Watch Moses Sumney perform “Doomed” live at St Stephen’s Church, Sydney:

Moses Sumney @ Laneway Festival (BRISBANE)

February 10, 2018
12:00 pm

Mistletone is bowled over to announce Moses Sumney as part of the Laneway Festival 2018 lineup.

MOSES SUMNEY TOUR DATES:

Auckland: Monday 29 January @ Laneway Festival, Albert Park Precinct
Adelaide: Friday 2 February @ Laneway Festival, Hart’s Mill, Port Adelaide (16+)
Melbourne: Saturday 3 February @ Laneway Festival, Footscray Community Arts Centre and the River’s Edge
Sydney: Sunday 4 February @ Laneway Festival, Sydney College of the Arts and Callan Park, Rozelle
Brisbane: Saturday 10 February @ Laneway Festival, Brisbane Showgrounds, Bowen Hills (16+)
Fremantle: Sunday 11 February @ Laneway Festival, Esplanade Reserve and West End

Since emerging onto the scene in 2014, Moses Sumney has ridden a wave of word-of-mouth praise, hushed recordings, and dynamic live performances. It’s an organic, patient ascent all too rare in today’s musical climate. In a voice both mellifluous and haunting, Sumney makes future music that transmogrifies classic tropes, like moon-colony choir reinterpretations of old jazz gems. His vocals narrate a personal journey through universal loneliness atop otherworldly compositional backdrops.

Following the self-release of his debut cassette EP, Mid-City Island, and 2015’s 7″, Seeds/Pleas, Moses Sumney has performed around the world alongside forebears like David Byrne, Karen O, Sufjan Stevens, Solange, James Blake and more. With his 2016 Lamentations EP, the California and Ghana-raised troubadour widened the spectrum of his heretofore “bedroom” music, incorporating songs that feature more elaborate production and evocative songwriting. Now his inspired ascent continues.

His proper debut album, Aromanticism is a concept album about lovelessness as a sonic dreamscape. It seeks to interrogate the social constructions around romance. The debut will include the devastating, billowing synths of “Doomed,” which in a way serves as the album’s thesis statement, as well as new versions of standouts “Lonely World” and “Plastic.” It’s a deliberate, jaw-dropping statement that can leave you both enlightened and empty.

Watch Moses Sumney perform “Doomed” live at St Stephen’s Church, Sydney:

Moses Sumney @ Laneway Festival (SYDNEY)

February 4, 2018
12:00 pm

Mistletone is bowled over to announce Moses Sumney as part of the Laneway Festival 2018 lineup.

MOSES SUMNEY TOUR DATES:

Auckland: Monday 29 January @ Laneway Festival, Albert Park Precinct
Adelaide: Friday 2 February @ Laneway Festival, Hart’s Mill, Port Adelaide (16+)
Melbourne: Saturday 3 February @ Laneway Festival, Footscray Community Arts Centre and the River’s Edge
Sydney: Sunday 4 February @ Laneway Festival, Sydney College of the Arts and Callan Park, Rozelle
Brisbane: Saturday 10 February @ Laneway Festival, Brisbane Showgrounds, Bowen Hills (16+)
Fremantle: Sunday 11 February @ Laneway Festival, Esplanade Reserve and West End

Since emerging onto the scene in 2014, Moses Sumney has ridden a wave of word-of-mouth praise, hushed recordings, and dynamic live performances. It’s an organic, patient ascent all too rare in today’s musical climate. In a voice both mellifluous and haunting, Sumney makes future music that transmogrifies classic tropes, like moon-colony choir reinterpretations of old jazz gems. His vocals narrate a personal journey through universal loneliness atop otherworldly compositional backdrops.

Following the self-release of his debut cassette EP, Mid-City Island, and 2015’s 7″, Seeds/Pleas, Moses Sumney has performed around the world alongside forebears like David Byrne, Karen O, Sufjan Stevens, Solange, James Blake and more. With his 2016 Lamentations EP, the California and Ghana-raised troubadour widened the spectrum of his heretofore “bedroom” music, incorporating songs that feature more elaborate production and evocative songwriting. Now his inspired ascent continues.

His proper debut album, Aromanticism is a concept album about lovelessness as a sonic dreamscape. It seeks to interrogate the social constructions around romance. The debut will include the devastating, billowing synths of “Doomed,” which in a way serves as the album’s thesis statement, as well as new versions of standouts “Lonely World” and “Plastic.” It’s a deliberate, jaw-dropping statement that can leave you both enlightened and empty.

Watch Moses Sumney perform “Doomed” live at St Stephen’s Church, Sydney:

Moses Sumney @ Laneway Festival (MELBOURNE)

February 3, 2018
12:00 pm

Mistletone is bowled over to announce Moses Sumney as part of the Laneway Festival 2018 lineup.

MOSES SUMNEY TOUR DATES:

Auckland: Monday 29 January @ Laneway Festival, Albert Park Precinct
Adelaide: Friday 2 February @ Laneway Festival, Hart’s Mill, Port Adelaide (16+)
Melbourne: Saturday 3 February @ Laneway Festival, Footscray Community Arts Centre and the River’s Edge
Sydney: Sunday 4 February @ Laneway Festival, Sydney College of the Arts and Callan Park, Rozelle
Brisbane: Saturday 10 February @ Laneway Festival, Brisbane Showgrounds, Bowen Hills (16+)
Fremantle: Sunday 11 February @ Laneway Festival, Esplanade Reserve and West End

Since emerging onto the scene in 2014, Moses Sumney has ridden a wave of word-of-mouth praise, hushed recordings, and dynamic live performances. It’s an organic, patient ascent all too rare in today’s musical climate. In a voice both mellifluous and haunting, Sumney makes future music that transmogrifies classic tropes, like moon-colony choir reinterpretations of old jazz gems. His vocals narrate a personal journey through universal loneliness atop otherworldly compositional backdrops.

Following the self-release of his debut cassette EP, Mid-City Island, and 2015’s 7″, Seeds/Pleas, Moses Sumney has performed around the world alongside forebears like David Byrne, Karen O, Sufjan Stevens, Solange, James Blake and more. With his 2016 Lamentations EP, the California and Ghana-raised troubadour widened the spectrum of his heretofore “bedroom” music, incorporating songs that feature more elaborate production and evocative songwriting. Now his inspired ascent continues.

His proper debut album, Aromanticism is a concept album about lovelessness as a sonic dreamscape. It seeks to interrogate the social constructions around romance. The debut will include the devastating, billowing synths of “Doomed,” which in a way serves as the album’s thesis statement, as well as new versions of standouts “Lonely World” and “Plastic.” It’s a deliberate, jaw-dropping statement that can leave you both enlightened and empty.

Watch Moses Sumney perform “Doomed” live at St Stephen’s Church, Sydney:

Moses Sumney @ Laneway Festival (ADELAIDE)

February 2, 2018
12:00 pm

Mistletone is bowled over to announce Moses Sumney as part of the Laneway Festival 2018 lineup.

MOSES SUMNEY TOUR DATES:

Auckland: Monday 29 January @ Laneway Festival, Albert Park Precinct
Adelaide: Friday 2 February @ Laneway Festival, Hart’s Mill, Port Adelaide (16+)
Melbourne: Saturday 3 February @ Laneway Festival, Footscray Community Arts Centre and the River’s Edge
Sydney: Sunday 4 February @ Laneway Festival, Sydney College of the Arts and Callan Park, Rozelle
Brisbane: Saturday 10 February @ Laneway Festival, Brisbane Showgrounds, Bowen Hills (16+)
Fremantle: Sunday 11 February @ Laneway Festival, Esplanade Reserve and West End

Since emerging onto the scene in 2014, Moses Sumney has ridden a wave of word-of-mouth praise, hushed recordings, and dynamic live performances. It’s an organic, patient ascent all too rare in today’s musical climate. In a voice both mellifluous and haunting, Sumney makes future music that transmogrifies classic tropes, like moon-colony choir reinterpretations of old jazz gems. His vocals narrate a personal journey through universal loneliness atop otherworldly compositional backdrops.

Following the self-release of his debut cassette EP, Mid-City Island, and 2015’s 7″, Seeds/Pleas, Moses Sumney has performed around the world alongside forebears like David Byrne, Karen O, Sufjan Stevens, Solange, James Blake and more. With his 2016 Lamentations EP, the California and Ghana-raised troubadour widened the spectrum of his heretofore “bedroom” music, incorporating songs that feature more elaborate production and evocative songwriting. Now his inspired ascent continues.

His proper debut album, Aromanticism is a concept album about lovelessness as a sonic dreamscape. It seeks to interrogate the social constructions around romance. The debut will include the devastating, billowing synths of “Doomed,” which in a way serves as the album’s thesis statement, as well as new versions of standouts “Lonely World” and “Plastic.” It’s a deliberate, jaw-dropping statement that can leave you both enlightened and empty.

Watch Moses Sumney perform “Doomed” live at St Stephen’s Church, Sydney:

Moses Sumney @ Laneway Festival (AUCKLAND)

January 29, 2018
12:00 pm

Mistletone is bowled over to announce Moses Sumney as part of the Laneway Festival 2018 lineup.

MOSES SUMNEY TOUR DATES:

Auckland: Monday 29 January @ Laneway Festival, Albert Park Precinct
Adelaide: Friday 2 February @ Laneway Festival, Hart’s Mill, Port Adelaide (16+)
Melbourne: Saturday 3 February @ Laneway Festival, Footscray Community Arts Centre and the River’s Edge
Sydney: Sunday 4 February @ Laneway Festival, Sydney College of the Arts and Callan Park, Rozelle
Brisbane: Saturday 10 February @ Laneway Festival, Brisbane Showgrounds, Bowen Hills (16+)
Fremantle: Sunday 11 February @ Laneway Festival, Esplanade Reserve and West End

Since emerging onto the scene in 2014, Moses Sumney has ridden a wave of word-of-mouth praise, hushed recordings, and dynamic live performances. It’s an organic, patient ascent all too rare in today’s musical climate. In a voice both mellifluous and haunting, Sumney makes future music that transmogrifies classic tropes, like moon-colony choir reinterpretations of old jazz gems. His vocals narrate a personal journey through universal loneliness atop otherworldly compositional backdrops.

Following the self-release of his debut cassette EP, Mid-City Island, and 2015’s 7″, Seeds/Pleas, Moses Sumney has performed around the world alongside forebears like David Byrne, Karen O, Sufjan Stevens, Solange, James Blake and more. With his 2016 Lamentations EP, the California and Ghana-raised troubadour widened the spectrum of his heretofore “bedroom” music, incorporating songs that feature more elaborate production and evocative songwriting. Now his inspired ascent continues.

His proper debut album, Aromanticism is a concept album about lovelessness as a sonic dreamscape. It seeks to interrogate the social constructions around romance. The debut will include the devastating, billowing synths of “Doomed,” which in a way serves as the album’s thesis statement, as well as new versions of standouts “Lonely World” and “Plastic.” It’s a deliberate, jaw-dropping statement that can leave you both enlightened and empty.

Watch Moses Sumney perform “Doomed” live at St Stephen’s Church, Sydney:

!!! @ Oxford Art (SYDNEY)

December 14, 2017
8:00 pm


Artwork by Carl Breitkreuz

!!! TOUR DATES:

  • MELBOURNE: Thursday December 7 @ The Curtin. Tickets on sale now from Music Glue. Presented by RRR.
  • MEREDITH: Friday December 8 @ Meredith Music Festival. Ticket ballot open now.
  • SYDNEY: Thursday December 14 @ Oxford Art Factory. Tickets on sale now from Moshtix. Presented by 2SER.
  • + more to come!

!!! are one of Earth’s great live bands; something you have to experience in the flesh to truly comprehend.  To quote Aunty Meredith in her !!! wisdom:

“Designed for celebration. Built for energy generation. Engineered for euphoric elevation. Tested in all atmospheric conditions. Certified to issue failsafe moodproof bigband surefunk dancepunk. In poolboy shorts. Any beat that moves you is fuel for their six cylinders: twitchy R&B, queasy dub-disco, discotheque disco, romantic house, any quality propulsive groove. They turn any space into a dance club.”

Listen to “The Long Walk,” a brand new !!! track from a limited edition hand-stamped white label 12″ EP called Shake The Shut Up, available on their upcoming Australian tour: “a deliciously dirty disco-house groove elevated to celestial heights by gospel-tinged backing vocals” (Stereogum):

While  !!!’s  live  shows  are  something  to  behold,  they  underscore  the  sheer musicianship and songwriting that goes into recording their albums. It is a lot of hard work made to  look  easy.  “Most  of  the  songs  on Shake the Shudder  are  based  off  of  jams”, says frontman Nic Offer, “and  since  we  record  every  jam,  most  of  the  tracks  here  feature moments we  actually  recorded  from those  jams. Most  artists have  to dig  through  the  crates  to find  that one  sample  nobody has used  but  we  can  sample  ourselves,  having  been playing  this style of music for awhile now. As a band we try to play it the way the JBs would, as producers we try to mix it the way a DJ would.”

!!!

Shake the Shudder are words to live by and ones that !!! fully embrace. There are always fears to  be  faced  and  new  paths  to  forge,  and  those  uncertainties  never  hold  them  back.  They  just propel  them  to  jump  in  head  first.  For  years,  !!!  have  run  the  dance  band  gambit  and  become New  York  City  legends.  From  their  start  in  Sacramento,  to  Brooklyn  house  party  staples  and Union  Pool  residencies,  and  now  delighting  festival  stages  from  Primavera  to  FYF,  they’ve cemented their place as part of New York’s live dance scene — while others have drifted into the history  books.

Shake The Shudder is a product of !!!’s DIY punk roots presenting a harder edge lyrically and sonically,  while  incorporating  trans-Atlantic  electronic  music  influences.  Regularly  enlisting  the aid of talented female vocalists to elevate to their sound, this new album is no exception with the inclusion  of  up  and  coming  talents  Lea  Lea  and  Meah  Pace  showcasing energetic  breakout performances that only hints at what they do live. And Nic Offer is no easy frontman to keep up with on stage.

The  new  record  opens  with “The  One  2”,  diving  right  into  this  experimentation, “we’ve  always admired this style of dance music from afar and were curious if we could add our twist to it, our twist being a plotline and some attitude.” Immediately segueing into the soon-to-be live favorite “Dancing  Is  The  Best  Revenge” (below),  which  premiered  on  Last  Call  With  Carson  Daly,  the  record starts off with a bang and doesn’t let up till the closing groove “R Rated Pictures.”

Screen Shot 2017-08-10 at 9.39.25 am

Pissed Jeans + !!! at Meredith Music Festival (MEREDITH)

December 8, 2017
8:00 pm

Mistletone is very chipper to announce Pissed Jeans + !!! (Chk Chk Chk) for Meredith Music Festival! 🎉

Ticket ballot open now.

!!! @ The Curtin (MELBOURNE)

December 7, 2017
8:00 pm


Artwork by Carl Breitkreuz

!!! TOUR DATES:

  • MELBOURNE: Thursday December 7 @ The Curtin. Tickets on sale now from Music Glue. Presented by RRR.
  • MEREDITH: Friday December 8 @ Meredith Music Festival. Ticket ballot open now.
  • SYDNEY: Thursday December 14 @ Oxford Art Factory. Tickets on sale now from Moshtix. Presented by 2SER.
  • + more to come!

!!! are one of Earth’s great live bands; something you have to experience in the flesh to truly comprehend.  To quote Aunty Meredith in her !!! wisdom:

“Designed for celebration. Built for energy generation. Engineered for euphoric elevation. Tested in all atmospheric conditions. Certified to issue failsafe moodproof bigband surefunk dancepunk. In poolboy shorts. Any beat that moves you is fuel for their six cylinders: twitchy R&B, queasy dub-disco, discotheque disco, romantic house, any quality propulsive groove. They turn any space into a dance club.”

Listen to “The Long Walk,” a brand new !!! track from a limited edition hand-stamped white label 12″ EP called Shake The Shut Up, available on their upcoming Australian tour: “a deliciously dirty disco-house groove elevated to celestial heights by gospel-tinged backing vocals” (Stereogum):

While  !!!’s  live  shows  are  something  to  behold,  they  underscore  the  sheer musicianship and songwriting that goes into recording their albums. It is a lot of hard work made to  look  easy.  “Most  of  the  songs  on Shake the Shudder  are  based  off  of  jams”, says frontman Nic Offer, “and  since  we  record  every  jam,  most  of  the  tracks  here  feature moments we  actually  recorded  from those  jams. Most  artists have  to dig  through  the  crates  to find  that one  sample  nobody has used  but  we  can  sample  ourselves,  having  been playing  this style of music for awhile now. As a band we try to play it the way the JBs would, as producers we try to mix it the way a DJ would.”

!!!

Shake the Shudder are words to live by and ones that !!! fully embrace. There are always fears to  be  faced  and  new  paths  to  forge,  and  those  uncertainties  never  hold  them  back.  They  just propel  them  to  jump  in  head  first.  For  years,  !!!  have  run  the  dance  band  gambit  and  become New  York  City  legends.  From  their  start  in  Sacramento,  to  Brooklyn  house  party  staples  and Union  Pool  residencies,  and  now  delighting  festival  stages  from  Primavera  to  FYF,  they’ve cemented their place as part of New York’s live dance scene — while others have drifted into the history  books.

Shake The Shudder is a product of !!!’s DIY punk roots presenting a harder edge lyrically and sonically,  while  incorporating  trans-Atlantic  electronic  music  influences.  Regularly  enlisting  the aid of talented female vocalists to elevate to their sound, this new album is no exception with the inclusion  of  up  and  coming  talents  Lea  Lea  and  Meah  Pace  showcasing energetic  breakout performances that only hints at what they do live. And Nic Offer is no easy frontman to keep up with on stage.

The  new  record  opens  with “The  One  2”,  diving  right  into  this  experimentation, “we’ve  always admired this style of dance music from afar and were curious if we could add our twist to it, our twist being a plotline and some attitude.” Immediately segueing into the soon-to-be live favorite “Dancing  Is  The  Best  Revenge” (below),  which  premiered  on  Last  Call  With  Carson  Daly,  the  record starts off with a bang and doesn’t let up till the closing groove “R Rated Pictures.”

Screen Shot 2017-08-10 at 9.39.25 am

Pissed Jeans + Batpiss + Kitchen’s Floor @ Foundry (BRISBANE)

December 7, 2017
8:00 pm

Artwork by Carl Breitkreuz

PISSED JEANS TOUR DATES:

  • SYDNEY: Wednesday December 6 @ Oxford Art Factory with Batpiss + Low Life. Tickets on sale now.
  • MELBOURNE: Thursday December 7 @ The Corner with Batpiss + Blank Statements. Presented by Triple R. Tickets on sale now.
  • MEREDITH: Friday December 8 @ Meredith Music Festival. Ticket ballot open now.
  • BRISBANE: Saturday December 9 @ The Foundry with Batpiss + Kitchen’s Floor. Tickets on sale Friday.

Mistletone is chipper to announce the first EVER! Australian tour by Allentown sludgemasters, Pissed Jeans.

Aunty Meredith waxes lyrical…

“Pissed Jeans are a band we always get asked for. Been holding on so long. Straight up hi-energy rock from Allentown, Pennsylvania. They have been asked to tour Australia so many times and it hasn’t happened until now. They are five albums in and haven’t made it here yet. We are so stoked to be able to present them.

They are cult. They are amazing live. A great singer. Electric. Inclusive. Funny (how good is their photo?). People love ‘em.

Latest Sub-Pop album, ‘Why Love Now’, co-produced by Lydia Lunch, is perhaps their most polished and hi-fidelity recording to date. But don’t be mistaken … one listen to tracks like ‘Ignorecam’, ‘Love Without Emotion’ and ‘The Bar Is Low’ and you’ll understand that they’ve hardly got designs on some kind of surprise crossover move any time soon.

Influences to the fore include early 80’s hardcore (Black Flag, Flipper) and 90s noise rock (The Jesus Lizard) but dynamic frontman, Matt Korvette, claims he had a moment of realisation many years ago when he came across a YouTube clip of The Birthday Party on a German TV show.

“I saw that video and I’m like, I’m just gonna steal everything in this … and I’m gonna do it bad enough that it’ll become my own thing, you know … and people won’t just say ‘oh, you stole that’ because I’ll just do such a poor rendering of it.”  Just one of many contradictions at play within this band: success as failure … failure as success … with thrilling results!”

Pissed Jeans have been making a racket for 13 years, and on their fifth album, Why Love Now (out now on Sub Pop via Inertia), the male-fronted quartet is taking aim at the mundane discomforts of modern life—from fetish webcams to office-supply deliveries.

“Rock bands can retreat to the safety of what rock bands usually sing about. So 60 years from now, when no one has a telephone, bands will be writing songs like, ‘I’m waiting for her to call me on my telephone.’ Kids are going to be like, ‘Grandpa, tell me, what was that?’ I’d rather not shy away from talking about the internet or interactions in 2016,” says Pissed Jeans frontman Matt Korvette.

Pissed Jeans’ gutter-scraped amalgamation of sludge, punk, noise, and bracing wit make the band—Korvette, Brad Fry (guitar), Randy Huth (bass) and Sean McGuinness (drums)—a release valve for a world where absurdity seems in a constant battle trying to outdo itself. Why Love Now picks at the bursting seams that are barely holding 21st-century life together. Take the grinding rave-up “The Bar Is Low,” which, according to Korvette, is “about how every guy seems to be revealing themselves as a shithead.

“It seems like every guy is getting outed,” Korvette continues, “across every board of entertainment and politics and music. There’s no guy that isn’t a total creep. You’re like, ‘No, he’s just a dude that hits on drunk girls and has sex with them when they’re asleep.’ Cool, he’s just an average shithead.”

The lyrics on Why Love Now are particularly pointed about gender relations and the minefield they present in 2016. “‘It’s Your Knees’ is about the endless, unrequested, commenting on if you’d fuck a girl. You know what I mean? ‘My great aunt won a cooking contest.’ ‘Oh, that’s pretty hot. I’d hit that,’” says Korvette. “It’s bizarre how guys will willingly share this stuff as if it’s always in their brains, and now it gets to come out because you’re on the internet. There’s a boldness to it now that was not maybe there before. So the premise is like, ‘Yeah, she’s hot, but her knees are weird looking. Not for me, man.’”

Pissed Jeans

On “Love Without Emotion” Korvette channels Nick Cave’s more guttural side while bemoaning his detachment over cavernous guitars. The crushing “Ignorecam” twists the idea of fetish cam shows—”where the woman just ignores you and watches TV or eats macaroni and cheese or talks on the phone”—into a showcase for Korvette’s rancid yelp and his bandmates’ pummeling rock. “I love that idea of guys paying to be ignored,” says Korvette. “It seems so weird.”

As they did on their last album, 2013’s Honeys, Pissed Jeans offer a couple of “fuck that shit type songs” about the working world, with the blistering “Worldwide Marine Asset Financial Analyst” turning unwieldy job titles into sneering punk choruses and “Have You Ever Been Furniture” waving a flag for those whose job descriptions might as well be summed up by “professionally underappreciated.” And the startling “I’m A Man,” which comes at the album’s midpoint, finds author Lindsay Hunter (Ugly Girls) taking center stage, delivering a self-penned monologue of W.B. Mason-inspired erotica—office small talk about pens and coffee given just enough of a twist to expose its filthy underside, with Hunter adopting a grimacing menace that makes its depiction of curdled masculinity even more harrowing.

“Lindsay Hunter is what I would aspire for Pissed Jeans to be—just a real, ugly realness that’s shocking,” says Korvette. “Not in a, ‘I had sex with a corpse on top of a pile…’ nonsense way—actually real, shocking stuff. And she has young kids, like Pissed Jeans do. I feel a bond with her in that regard. We’re in the same camp.”

No Wave legend Lydia Lunch shacked up in Philadelphia to produce “Why Love Now” alongside local metal legend Arthur Rizk (Eternal Champion, Goat Semen). “I knew she wasn’t a traditional producer,” Korvette says of Lunch. “We wanted to mix it up a little bit. I like how she’s so cool and really intimidating. I didn’t know how it was going to work out. She ended up being so fucking awesome and crazy. She was super into it, constantly threatening to bend us over the bathtub. I’m not really sure what that entails, but I know she probably wasn’t joking.

“Arthur Rizk was the technical guru. It was a perfect combination of a technical wizard and a psychic mentor who guided the ship.”

The combination of Lunch’s spiritual guidance and Rizk’s technical prowess supercharged Pissed Jeans, and the bracing Why Love Now documents them at their grimy, grinning best. While its references may be very early-21st-century, its willingness to state its case cements it as an album in line with punk’s tradition of turning norms on their heads and shaking them loose.

“A crucial thing, I think, for being a Pissed Jeans fan is just stemming from what I would take away from punk, which is, ‘Question things and think about things,’” says Korvette. “Don’t just go to the office and get the same coffee. Don’t just wear a leather jacket and get a 40 oz. Just question yourself a little bit if you can.”

PissedJeans_WhyLoveNow_R7