Meg Baird + Lower Plenty @ Northcote Social Club (MELBOURNE)

January 22, 2016
8:30 pm

MegBaird_byAmyHarrity_7464
Meg Baird photo by Amy Harrity

MEG BAIRD plays MELBOURNE: Friday January 22 Northcote Social Club with special guests Lower Plenty. Tickets on sale now from the venue.

Mistletone is proud to present the first Australian tour by Meg Baird; an artist we’ve admired from afar for more than a decade. Meg Baird brings her deep psych-folk vibrations to Australia for a Melbourne headline show at Northcote Social Club (tickets on sale now) with very special guests Lower Plenty.

Meg Baird’s last decade would be remarkable by any artist’s standards. She co-founded and recorded three albums with Espers — one of the most distinctive and hypnotic bands of the century’s first decade — and released three stunning, slow-burning solo LPs for Drag City: Dear CompanionSeasons on Earth, and most recently, this year’s magnificent Don’t Weigh Down the Light. Meg Baird’s calibre as a musician can be deduced by the company she’s kept (Will Oldham, Kurt Vile, Steve Gunn and Sharon Van Etten, to name a few), but listening is believing when it comes to this exceptional artist. After more than a decade as a fixture in Philadelphia’s boiling-over musical scene, Meg moved west to San Francisco where she joined forces (as drummer and lead vocalist) with members of Comets on Fire and Assemble Head to form the moody and thunderous Heron Oblivion, who recently signed to Sub Pop Records.
Historical Meg Baird fact: her great-great uncle was Isaac Garfield “I.G.” Greer, a historian and Appalachian folk singer born in 1881 whose recordings on the Archive of Folk Culture in the Library of Congress helped expose Meg to folk music at a young age, along with Smithsonian Folkways LPs…
  • “As well as forming and being a mainstay in Espers, Meg Baird is a member of the decidedly freakier Heron Oblivion, who recently had their first show opening for The War on Drugs. As well as this, she has collaborated with Will Oldham, Kurt Vile, Sharon Van Etten, and toured with Bert Jansch. You get the picture. She’s well connected, and on the strength of this album she certainly has the chops to join such illustrious names on the upper echelons of her genre. It’s hard to properly describe an album which needs to be experienced from start to finish rather than intimately analysed. Give yourself the opportunity to become part of Meg Baird’s brave new world. You won’t be disappointed” – DROWNED IN SOUND

Ryley Walker @ Sydney Festival (SYDNEY)

January 22, 2016
8:00 pm

ryley poster
Artwork by Aaron Billings

RYLEY WALKER TOUR DATES:

  • SYDNEY FESTIVAL: Friday January 22 @ The Famous Spiegeltent, 8pm. Tickets on sale now from Sydney Festival.
  • SYDNEY FESTIVAL: Saturday January 23 @ The Famous Spiegeltent, 5:45pm. Tickets on sale now from Sydney Festival.
  • BRISBANE: Sunday January 24 @ The Junk Bar. Tickets on sale now from Oztix.
  • MELBOURNE: Monday January 25 @ The Toff with special guest. Presented by Triple R. Tickets on sale now from Moshtix.

Mistletone is proud as punch to present the first Australian tour by rising Chicago guitar virtuoso and neo-psychedelic singer-songwriter par excellence, Ryley Walker. Making the journey to Australia by invitation of Sydney Festival and riding the velvet coat-tails of his brilliant and hugely acclaimed album Primrose Green (released earlier this year on Dead Oceans via Inertia), Ryley Walker plays flawless, crisp jazz-folk songs in the vein of the end-of-the 1960s zeitgeist — but imbued with a fire, spirit and youth that transforms his every show into a mesmeric, jaw-dropping wig-out.

  • “Ryley Walker’s Primrose Green may take notes from shaggy-haired ’70s dudes — hell, just look at the cover art — and root itself firmly in Walker’s dexterous acoustic guitar skills. But its spirit is beyond and is unruly. This is rock ‘n’ roll” – NPR
  • “Crests warm currents of jazz, folk and rock as, say, Van Morrison and Tim Buckley did… (but) while Walker has absorbed these admirably free-roaming influences, this is clearly someone reaching for their essence” – UNCUT (9 out of 10)
  • “Stoned, summery 70s-style jazz-folk” – The Guardian (4 stars)

Michael Hurley @ The Junk Bar (BRISBANE)

January 21, 2016
7:30 pm

Michael Hurley poster
Artwork by Michael Hurley, layout by Terry Burdak

MICHAEL HURLEY TOUR DATES:

  • BRISBANE: THU JAN 21 – Junk Bar. Tickets on sale now from Oztix.
  • MELBOURNE: SAT JAN 23 – Northcote Social Club with special guest Joel Silbersher plus DJ Downpat (A G PicksO’Tomorrow). Presented by Triple R. Tickets on sale now from the venue* SELLING FAST!
  • SYDNEY FESTIVAL: SUN JAN 24 – St Stephen’s Church with Meg Baird, doors open 6pm. Tickets on sale now from Sydney Festival.

Mistletone could not be more overjoyed to present the first ever Australian tour by one of the last of America’s true outsider folk troubadours, Michael Hurley. We at Mistletone (Ash & Sophie) have been long-time loving fans of Michael Hurley; he is an artist whose music means a great deal to us, and our hearts are overflowing with gratitude that he is finally coming to our shores!

Michael Hurley’s music sounds old, like it has always existed, and simultaneously singular, like something you’ve never heard anyone else play quite like that before. This timeless quality ensures that Hurley’s audience constantly renews itself. From the the beatniks in the NYC Village where he started in the early 60s, to the hippies in Vermont, to the Americana fans, indie rockers and freak folkers from the last two decades, and those who have covered and championed his songs — from Cat Power to Calexico — Michael’s music never fails to find fresh new ears. Pressed for a description, Hurley has called it “jazz-hyped blues and country and western music”.

Michael Hurley grew up in Bucks County, Pennsylvania. As a teenager in the 1950s he fell in love hearing the music of Fats Domino, The Everly Brothers and Bo Diddley blast from the radio, and was enthralled by the records of Blind Willie McTell, Hank Williams and Uncle Dave Macon that he sought for his own. This love for music, true and unvarnished, supplied him with a finely tuned musical compass he has not wavered from for 50 years and counting.

Hurley’s early records were released on Folkways, Warner Brothers/Raccoon and Rounder, while in recent years stalwart independent labels like Gnomonsong, Mississippi and Tompkins Square have been carrying the torch. A new album on the Mississippi label is due this spring. Besides being a truly unique musician, Hurley is also a cartoonist and watercolor artist of note — the instantly recognizable results of which grace his album covers.

Hurley now resides on the northwest coast of the USA, so appearances outside that region have been scarce the last decade; so we are doubly grateful that he is making the long and we hope, fruitful journey to Australia’s shores at long last.

Jenny Hval @ Sydney Festival (SYDNEY)

January 20, 2016
8:00 pm

Jenny Hval 2_BROCHURE
photo by Jenny Berger Myhre

Mistletone is beyond delighted to present the incomparable Jenny Hval, bringing her hypnotising performance to Sydney Festival and MONA FOMA 2016 and throwing into question everything we know about gender and sexuality, health and capitalism, physicality, the body and the soul.

JENNY HVAL TOUR DATES:

  • HOBART: Friday January 15 @ MONA: main stage, 3pm. MOFO three-day passes on sale now, tickets & more info here.
  • SYDNEY FESTIVAL: Tuesday January 19 + Wednesday January 20 @ The Famous Spiegeltent, 8pm; tickets on sale now here.

Jenny Hval @ Sydney Festival (SYDNEY)

January 19, 2016
8:00 pm

Jenny Hval 2_BROCHURE
photo by Jenny Berger Myhre

Mistletone is beyond delighted to present the incomparable Jenny Hval, bringing her hypnotising performance to Sydney Festival and MONA FOMA 2016 and throwing into question everything we know about gender and sexuality, health and capitalism, physicality, the body and the soul.

JENNY HVAL TOUR DATES:

  • HOBART: Friday January 15 @ MONA: main stage, 3pm. MOFO three-day passes on sale now, tickets & more info here.
  • SYDNEY FESTIVAL: Tuesday January 19 + Wednesday January 20 @ The Famous Spiegeltent, 8pm; tickets on sale now here.

The Chills + Totally Mild + The Stevens @ Max Watt’s (MELBOURNE)

January 15, 2016
8:00 pm

Chills A2_LR

Poster artwork by Bruce Mahalski

Mistletone is mighty chuffed to present the return of legendary New Zealand band The Chills, having recently released their first full length album in nearly two decades, Silver Bullets.
This brilliant new Chills album hails the return of one of New Zealand’s most respected exports; bursting with chiming Dunedin-pop anthems, melodic rock and Martin Phillipps ’ playful punk-rock tendencies, the thrilling new album brings them to the next chapter. Recorded at Albany Street Studios in Dunedin (NZ) the album instantly reaffirms Phillipps’ aptitude for writing intelligent and timeless pop songs delivered with conviction.
Whether tackling issues on the economy, fighting with ‘Silver Bullets’ or the observant nature of Southern Lights on ‘Aurora Corona’, The Chills complex pop resonates in a cacophony of dark-edged songs. Their underlying melancholy remains and is offset by their signature catchy melodies bringing a haunting depth to their idiosyncratic sound. Silver Bullets also features a new re-recording of ‘Molten Gold’.

Formed in 1980, NZ’s indie luminaries The Chills’ revolving line-up has had Martin Phillipps at its core for over 30 years. Joining influential labels Creation  and Homestead , they then moved to Warner imprint Slash and onto the world of majors. At the height of their success, John Peel invited them in for a number of BBC sessions which were released for the first time late last year.

Significant chart success at home and a following worldwide would see 1990’s Submarine Bells  (Slash Records) gain critical acclaim. When Soft Bomb  dropped in 1992, as they toured the US, things imploded resulting in the group disbanding and it wasn’t until 1996 that their next album Sunburnt appeared with a new line up on the Flying Nun label.

Still burning brightly, and with an extraordinary career, The Chills have gone through reformations with breaks on and off. In the late 90s and early 00s they returned to the live scene reaching wider audiences. With eight brand new tunes, they released mini-albumStand By in 2004. In 2013 The Chills joined Fire  and Far South with a live LP Somewhere Beautiful, unearthing rare recordings from a private NYE party. Subsequent EPs Molten Gold and Stand By (Tour 2014)  and the acclaimed The BBC Sessions LP then followed.

The highly anticipated Silver Bullets is out now on Fire Records with local release by Rocket Distribution.

The Chills @ Sydney Festival (SYDNEY)

January 13, 2016
7:30 pm

The Chills 1

THE CHILLS play SYDNEY FESTIVAL: Wednesday January 13 at Magic Mirrors Spiegeltent, 7:30pm.

Tickets on sale now from Sydney Festival.

Mistletone is mighty chuffed to present the return of legendary New Zealand band The Chills. Following on from The BBC Sessions  on Fire Records, The Chills have just released their first full length album in nearly two decades, Silver Bullets.
This brilliant new Chills album hails the return of one of New Zealand’s most respected exports; bursting with chiming Dunedin-pop anthems, melodic rock and Martin Phillipps ’ playful punk-rock tendencies, the thrilling new album brings them to the next chapter. Recorded at Albany Street Studios in Dunedin (NZ) the album instantly reaffirms Phillipps’ aptitude for writing intelligent and timeless pop songs delivered with conviction.
Whether tackling issues on the economy, fighting with ‘Silver Bullets’ or the observant nature of Southern Lights on ‘Aurora Corona’, The Chills complex pop resonates in a cacophony of dark-edged songs. Their underlying melancholy remains and is offset by their signature catchy melodies bringing a haunting depth to their idiosyncratic sound. Silver Bullets also features a new re-recording of ‘Molten Gold’.

Formed in 1980, NZ’s indie luminaries The Chills’ revolving line-up has had Martin Phillipps at its core for over 30 years. Joining influential labels Creation  and Homestead , they then moved to Warner imprint Slash and onto the world of majors. At the height of their success, John Peel invited them in for a number of BBC sessions which were released for the first time late last year.

Significant chart success at home and a following worldwide would see 1990’s Submarine Bells  (Slash Records) gain critical acclaim. When Soft Bomb  dropped in 1992, as they toured the US, things imploded resulting in the group disbanding and it wasn’t until 1996 that their next album Sunburnt appeared with a new line up on the Flying Nun label.

Still burning brightly, and with an extraordinary career, The Chills have gone through reformations with breaks on and off. In the late 90s and early 00s they returned to the live scene reaching wider audiences. With eight brand new tunes, they released mini-albumStand By in 2004. In 2013 The Chills joined Fire  and Far South with a live LP Somewhere Beautiful, unearthing rare recordings from a private NYE party. Subsequent EPs Molten Gold and Stand By (Tour 2014)  and the acclaimed The BBC Sessions LP then followed.

The highly anticipated Silver Bullets is out now on Fire Records with local release by Rocket Distribution.

The Chills are: Martin Phillipps (Guitar/Vox), James Dickson  (Bass/Backing Vocals), Todd Knudson  (Drums/Backing Vocals), Erica Stichbury (Violin/Backing Vocals) and Oli Wilson  (Keyboards/Backing Vocals).

Kurt Vile + Toro y Moi @ Southbound Festival (BUSSELTON, WA)

January 9, 2016
12:00 pm

southbound

Mistletone is very pleased to present Kurt Vile & the Violators and Toro y Moi‘s return to Australia in December/January as part of the Falls + Southbound Festival lineups. Ballots open now.

SOUTHBOUND FESTIVAL, Busselton WA: Jan 8-10, 2016. More info + tickets here.

Kurt Vile & the Violators @ Sydney Opera House (SYDNEY) * selling fast!

January 7, 2016
9:30 pm

KV art Ben Montero

Sydney Opera House Presents the return of the mighty Kurt Vile & the Violators, hot on the heels of Kurt Vile’s glorious new album b’lieve i’m goin down… , out now on Matador via Remote Control.

Last time Kurt Vile came around these parts, he was the hottest ticket in town — so fans would be well advised to book tickets without delay!

KURT VILE & THE VIOLATORS: Thursday, January 7 @ Concert Hall, SYDNEY OPERA HOUSE on . Presales for Sydney Opera House Insiders on sale Tuesday, October 6. Presales for Sydney Opera House Inhouse e-news Wednesday, October 7. General public tickets on sale Thursday, October 8 from 9am. Tickets & more info from Sydney Opera House Presents.

The Weather Station @ Sydney Festival (SYDNEY)

January 7, 2016
8:00 pm

The Weather Station TOUR A2 LOWRES

THE WEATHER STATION TOUR DATES:

WOODFORD FOLK FESTIVAL, QLD: December 29 – January 1. Tickets and more information here.
BRISBANE: Saturday January 2 @ The Junk Bar. Tickets on sale now from Oztix.
MELBOURNE: Monday January 4 @ Northcote Social Club. Tickets on sale now from the venue. Presented by Triple R.
SYDNEY: Wednesday January 6 @ The Famous Spiegeltent, 5.45pmTickets on sale now from Sydney Festival.
SYDNEY: Thursday January 7 @ The Famous Spiegeltent, 8pm. Tickets on sale now from Sydney Festival.

Mistletone proudly presents the first Australian tour by The Weather Station, performing as a trio at Woodford Folk Festival and Sydney Festival plus headline shows in Brisbane and Melbourne.

  • “Plain but elegant, simple but intricate… Her songs feel very much like attempts to understand and appreciate the world in spite of its bitter ills; like the most basic forms of folk music, a term Lindeman readily embraces, they come with intent and aim.” – PITCHFORK

The Weather Station is the project of Canadian songwriter Tamara Lindeman; folk music based in classic elements of songcraft – melody, tension, meaning. The Weather Station’s third and finest album yet, Loyalty (released locally via Spunk Records) was recorded at La Frette Studios in France in the winter of 2014 with Afie Jurvanen (Bahamas) and Robbie Lackritz (Feist).

Loyalty retains the humble immediacy of Tamara Lindeman’s previous records while adding a high fidelity sheen, a clarity, a new confidence. The record crystallises Tamara’s lapidary songcraft into eleven emotionally charged vignettes and intimate portraits, redolent of fellow Canadians Joni Mitchell, Leonard Cohen, and David Wiffen, but utterly her own.

On her previous acclaimed albums All Of It Was Mine, and follow-up What Am I Going To Do With Everything I Know, (both for You’ve Changed Records) Tamara Lindeman established herself as a songwriter’s songwriter, earning accolades for her delicate, carefully worded verse, filled with double meanings, complex metaphors, and rich details of the everyday.

Praise for Loyalty in Australia includes Double J Best New Music (“Really intriguing folk music”), 4ZZZ (“Drifting and beautiful folk-rock”), Radio National’s The Inside Sleeve’s Best of 2015 So Far, 2SER Album of the Week, and 4 star reviews in Rolling Stone and The Music: “One of those old-fashioned, pure-at-heart folk records… Loyalty will be one of 2015’s well-loved releases”.

International praise has been just as lavish, with 4 star reviews in MOJO and Uncut: “There are many wise, deceptively simple insights on this wonderful album”; Popmatters 90 out of 100: “(Like) fellow Canadians Joni Mitchell and Leonard Cohen, the fragility of tragic folk heroine Judee Sill, and even Bob Dylan, Loyalty offers a lived-in warmth of intimacy that refuses to be date stamped and exists outside the standard release cycle, claiming no specific year or period of origin”; and the Boston Globe: “The Weather Station compels the listener to lean in. That’s the only way to fully savor her intimate, acoustic tales that recall fellow Canadian artist Joni Mitchell, circa the late ’60s”.