EL GUINCHO TOUR DATES:
- SYDNEY: Wednesday February 15 @ Oxford Art Factory with special guest Donny Benet. Tickets on sale now.
- MELBOURNE: Thursday February 16 @ Howler with special guests Sui Zhen + NO ZU DJs. Tickets on sale now.
- MELBOURNE: Friday February 17 @ NGV Friday Nights. Tickets & info available from NGV.
- PERTH: Saturday February 18 @ Perth Festival with Skinnyfish Sound System. Tickets on sale now.
A favourite with Australian audiences, El Guincho has transformed huge crowds into ecstatic tropical dance parties at Meredith Music Festival and Laneway. Emerging from a five year break, Canary Islands-born Pablo Díaz-Reixa — or El Guincho, as he is known and loved — shared a new album, HiperAsia, earlier this year.
Released locally via Mistletone, HiperAsia is another enormous musical leap for El Guincho, inspired by a chain of Chinese bazaars in the outskirts of Madrid where Pablo now lives, having written, recorded and produced the album in studios and spaces throughout Spain; in the Canary Islands, Barcelona and finally Madrid, in a chaotic period for Southern Europe. The music that has emerged is immediately disconcerting; prickly, bright and uncompromising and demanding, it has resonated with a whole new audience of El Guincho fans.
Ever the innovator, El Guincho is reinventing music distribution, having launched his HiperAsia collection with wearable tech which comes with NFC (Near Field Communication) technology and an animated Vaporwave short film. El Guincho changed the face of music videos with his viral hit “Bombay” (over 2.3 million hits), which echoes in his wild new videos for “Comix” and “Pizza” (see bel0w). He has recently been nominated for a Latin Grammy Award for Best Short Form Music Video for “Comix”.
- “El Guincho’s most resolutely electronic work yet, Hiperasia buzzes like an ice-cream headache (and) reaches frequencies most indie-electronic fusions never knew existed” – PITCHFORK
- “A vivid, feverish soundworld of Auto-Tuned vocals, idyllic electronics and machine beats solid enough to stand alongside the best US R&B currently has to offer” – THE WIRE