Mistletone

Poster artwork by Hayden Menzies (METZ); layout by Carl Breitkreuz.

METZ TOUR DATES:

Saturday 30 January: Laneway Singapore @ The Meadow, Gardens By The Bay, Singapore
Monday, 1st February: Laneway Auckland @ Silo Park, Auckland
Friday, 5th February: Laneway Adelaide @ Harts Mill, Adelaide
Saturday, 6th February: Laneway Brisbane @ Brisbane Showgrounds, Bowen Hills
Sunday, 7th February: Laneway Sydney @ Sydney College Of The Arts, Rozelle
SYDNEY: WED FEB 10 @ Oxford Art Factory with special guests MY DISCO plus Low Life. Tickets on sale now from Moshtix.
MELBOURNE: FRI FEB 12 @ The Corner with special guests MY DISCO plus Deaf Wish. Tickets on sale now from Ticketscout.
Saturday, 13th February: Laneway Melbourne @ Footscray Community Arts Centre, Melbourne
Sunday, 14th February: Laneway Fremantle @ Esplanade Reserve and West End, Fremantle

Mistletone, Triple R and FBi proudly present Toronto three-piece METZ, the world’s single most brutal band releasing music right now. METZ bring their three-pronged jolt of energy to Sydney & Melbourne for two Laneway sideshows which are guaranteed ecstatic intensity, with very special guests MY DISCO and local supports Low Life in Sydney, and Sub Pop labelmates Deaf Wish in Melbourne. Tickets on sale now!

Following two acclaimed albums on Sub Pop (2012’s METZ and 2015’s II) and an incredible amount of touring, METZ will release their first new material since the release of II, a 7″ single “Eraser” / “Pure Auto” on esteemed Canadian label Three One G, to coincide with their Australian tour for Laneway Festival in January.

To begin:

“I look at it like this,” METZ frontman Alex Edkins says. “You start a band, just as something to do, because music’s what makes you tick, the thing you dream about and think about and that’s it. You never think that you’ll be able to do it all the time. But then, for some inexplicable reason, people actually listen and latch on and the band begins to take on new meaning. All of a sudden there are expectations and pressure, real or imagined, to change who you are. It was important to us, when making this record, not to give in to that pressure.”

What happens when a seemingly irresistible force meets an immovable object is a serviceable metaphor for the music METZ creates, both live and on record. Now behold II, the concussive new full-length from what is arguably North America’s finest touring rock band. Written and recorded in 2014, after two years of constant touring behind their rightly adored self-titled debut, II is METZ at their most true to form—as pure an expression of what they doas can currently be committed to tape. The guitars are titanic, the drums ill-tempered, the vocals chilling, and the volume worrisome. Though they incorporated new instruments, (baritone guitar, tape loops, piano, synth, found sounds) and stretched out the arrangements, they still managed to “stay true to what made us tick in the first place: that immediacy,” Edkins calls it. “If it punches you in the gut.”

And does it ever. From the exhilarating grind of “Spit You Out” to the blunt-force thrills of “Landfill,” herein reside 10 songs as uncompromising in their ferocity and abrasiveness as any collection this record label has had the pleasure of releasing to date. To accomplish such a sound, the band forced itself to stay home and write for the better part of six months. Tracking was done in three different studios, in Toronto and elsewhere in Ontario, including the same barn where much of METZ had been painstakingly assembled. While said predecessor was often “clean and clinical,” II is what Edkins describes as a “much heavier, darker, and sloppier” affair, with many of its roughest edges and ugliest tones kept intact. Its lyrical matter, Edkins notes, stems from a year of loss and doubt, of contemplating our relationships with death and the planet. “I consider myself a pretty massive pessimist, but a pessimist who knows how lucky he is,” he says. “A lot of things in everyday life drive me crazy: how we relate to each other; how politics, media, technology, money and medication influence our lives. This band, in a lot of ways, is an outlet.”

What we’re left with is the sound of an already monstrous band improving in both subtle and terrifying ways.“We take our noise and our feedback very seriously,” Edkins says. “The more we do this, the more we realize there’s no such thing as right or wrong in music. It comes down to feel. And if it feels good, it works. This time we sorta said, ‘This is who we are. We are not going to clean up our sound, we are not going to hire a big producer, we are not going to try to write a radio song. We are going to be honest and leave the warts for all to see. We are really happy with how it turned out.”

As are we.