Kurt Vile
By Sophie in News | 0 comments
KURT VILE & THE VIOLATORS TOUR DATES:
TUESDAY MARCH 28: FREMANTLE ARTS CENTRE with special guests Erasers. * SOLD OUT!
THURSDAY MARCH 30: KAMBRI @ ANU CANBERRA with special guest John Sharkey III. Tickets on sale here.
FRIDAY MARCH 31: SYDNEY OPERA HOUSE CONCERT HALL. * SOLD OUT!
SATURDAY APRIL 1: MEADOW FESTIVAL VICTORIA. Tickets on sale now.
MONDAY APRIL 3: THE PRINCESS THEATRE BRISBANE with special guest Mess Esque. * SOLD OUT!WEDNESDAY APRIL 5: NORTHCOTE THEATRE MELBOURNE with special guest Mick Turner. * SOLD OUT!
THURSDAY APRIL 6: NORTHCOTE THEATRE MELBOURNE with special guests Martin Frawley + DJ Tony Pepperoni. Extra show by popular demand. Tickets on sale here.
FRIDAY APRIL 7: CASTLEMAINE STATE FESTIVAL. Tickets on sale here.
Mistletone proudly presents the return of Kurt Vile & the Violators. Over a couple of decades, Kurt Vile has perfected his own strand of blissed-out guitar rock, balancing catchiness with being “fried,” as he likes to put it. Fresh from an acclaimed new album (watch my moves) via Verve Records / Virgin Music Australia, and a whirlwind Australian trip which saw him share the stage with long-time pal and collaborator Courtney Barnett, opening for Nick Cave and Warren Ellis at Hanging Rock, Kurt Vile brings his slow-burnin’, free-wheelin’ jams back to Australia for a full band tour.
“He’s one of the last examples of a rock‘n’roll frontiersman who’s going to be famous. He’s like the Mars 1 mission” – SEAN YEATON (PARQUET COURTS), 2016
Kurt recorded (watch my moves) in his home studio in Philly’s Mount Airy neighbourhood of Philadelphia, with help from longtime collaborator Rob Schnapf (Richard Thompson, Elliott Smith). Across the record, which includes 14 originals as well as a version of Bruce Springsteen’s ‘Wages of Sin’, Vile pulls his talents in unexpected directions, resulting in a vibrant, yet meditative album propelled by his trademark laid-back charm and curious spirit. The album’s artwork features Kurt’s daughters Delphine and Awilda, who recently joined their dad for a festive version of Bob Dylan’s “Must Be Santa”.
Reflecting on the record, Vile shared: “When Waylon Jennings became an outlaw country artist, he liked to record at Hillbilly Central, which was Tompall Glaser’s studio. OKV Central is my version of that in Mount Airy. I’ve come into my own here, and at the same time I’m getting back to my home-recording roots,” and continues, “It’s about songwriting. It’s about lyrics. It’s about being the master of all domains in the music. I’m always thinking about catchy music, even though it’s fried, or sizzled, out. It’s my own version of a classic thing—it’s moving forward and backward at the same time.”
In addition to Schnapf, Vile’s longtime band, The Violators and James Stewart, the album features special guests Chastity Belt, Cate Le Bon and percussionists Stella Mozgawa (Warpaint, Courtney Barnett) and Sarah Jones (Hot Chip, Harry Styles).
(watch my moves) is Kurt’s ninth solo full-length studio album and first since 2018’s Bottle It In, which Rolling Stone named #9 on their 50 Best Albums of 2018: “The long-haired poet-king of Philadelphia surveys his realm in high style on this 78-minute whopper…virtually no one else was making rock records like this.”
The New York Times calls him “indie rock’s charming riddle,” while The Guardian adds: “such an instinctive facility for melodic logic that behind the shaggy locks and purple haze, there’s a clear-headed, big-hearted songwriter at work.”
In addition to his solo work, Kurt has collaborated with numerous artists including John Prine, Courtney Barnett, The War on Drugs, The Sadies and more, and is featured on 2021 compilation I’ll Be Your Mirror: A Tribute to The Velvet Underground & Nico.
Born and raised in Philadelphia, Kurt Vile lives in the Mount Airy neighbourhood with his wife and two daughters.
| CRITICAL KURTY ACCLAIM: “Kurt Vile is an ambling, amiable presence; gently psychedelic, in no particular hurry” —The New York Times “You’re treated to the surrealistic, psychedelic mind and sounds of his trippy universe…It’s magical and meditative.”— NPR Music “(watch my moves) is damn near transcendent” —Rolling Stone “Vile’s limitless charm and languid drawl have a way of making even the heaviest affliction seem bearable, if not a low-key hoot.” —Pitchfork “..a reminder of what makes his music so seemingly effortlessly affecting”—AV Club “(watch my moves) gives Vile another opportunity to create the blissed-out guitar rock he’s perfected over the last several decades”—Consequence “the sort of easy groove that Vile does so well”—Stereogum “…serene in mood, with lo-fi folk elements that transcend the typical conventions of the genre to incorporate elements of psychedelia.”—Spin “a sprawling, psychedelic meditation”—Paste |
artwork by Carl Breitkreuz
email this | tag this | digg this | trackback | comment RSS feed
Post a Comment