By popular demand, the mighty Kurt Vile & the Violators have announced an extra Melbourne show at Max Watt’s on Tuesday, January 5. Special guests, handpicked by Kurt (who’s an avid fan of Australian indie music) are Gold Class and Constant Mongrel. Tickets on sale now from Ticketscout.
Kurt Vile & The Violators’ show at The Forum on Sunday, January 3 with special guests Twerps and Scott & Charlene’s Wedding, has now completely sold out. Both shows proudly presented by Mistletone and Triple R. Poster artwork by Ben Montero, layout by Carl Breitkreuz.
Kurt Vile & the Violators also play Sydney Opera House on Thursday, January 7; tickets on sale here (this show is also selling fast). Also playing Falls Festival in Lorne, Marion Bay and Byron Bay, and Southbound FestivalWA.
Australia’s favourite Philadelphian, Kurt Vile returns to our shores this summer, riding high with his hugely acclaimed new album, b’lieve i’m goin down… (Matador/Remote Control). As kindred spirit Kim Gordon of Sonic Youth wrote in her artist biography for Kurt’s new album, “Kurt does his own myth making; a boy/man with an old soul voice in the age of digital everything becoming something else, which is why this focused, brilliantly clear and seemingly candid record is a breath of fresh air…. a handshake across the country, east to west coast, thru the dustbowl history (“valley of ashes”) of woody honest strait forward talk guthrie, and a cali canyon dead still nite floating in a nearly waterless landscape. The record is all air, weightless, bodyless, but grounded in convincing authenticity, in the best version of singer songwriter upcycling.”As eponymous American Grantland magazine recently observed, “Kurt Vile frequently invokes Neil Young in conversation, as both a talisman and a role model. But the most authentic link between Vile and Young is the way in which they freely commingle pathos and goofiness in their songs, resulting in a tonal messiness that feels like real life.”
And as Pitchfork remarked in their Best New Music review: “As compelling as Vile’s words can be, much of the magic lies in his delivery. Like Tom Petty, Bruce Springsteen, and Bob Dylan, Vile’s singing voice has acquired an unstable accent of indeterminate origin that shifts to suit his musical decisions, rather than connecting to genre or region or even his own upbringing. Most often, he’s got a nasally twang unlike that of any other native Philadelphian, and it helps his low-key murmur cut through the wooly mid-tempo haze. That twang makes his music feel more grounded and conversational, and there’s also a bit of a “Hey, it’s me again” quality the first time you hear it on a new album, an aural watermark that never leaves you any doubt that you are listening to a Kurt Vile record.”
Click below to watch Kurt Vile perform “Lost My Head There” from B’lieve I’m Goin Down… in a Paris restaurant for La Blogothèque’s Take Away Show:
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